Steve Goodman

Steve Goodman is a Lecturer in Music Culture at the School of Sciences, Media, and Cultural Studies at the University of East London, a member of the CCRU (Cybernetic Culture Research Unit), and the founder of the record label Hyperdub.

  • AUDINT—Unsound:Undead

    AUDINT—Unsound:Undead

    Steve Goodman, Toby Heys, and Eleni Ikoniadou

    Tracing the the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead.

    For as long as recording and communications technologies have existed, operators have evoked the potential of sound, infrasound, and ultrasound to access anomalous zones of transmission between the realms of the living and the dead. In Unsound:Undead, contributors from a variety of disciplines chart these undead zones, mapping out a nonlinear timeline populated by sonic events stretching from the 8th century BC (the song of the Sirens), to 2013 (acoustic levitation), with a speculative extension into 2057 (the emergence of holographic and holosonic phenomena).

    For the past seven years the AUDINT group has been researching peripheral sonic perception (unsound) and the ways in which frequencies are utilized to modulate our understanding of presence/non-presence, entertainment/torture, and ultimately life/death. Concurrently, themes of hauntology have inflected the musical zeitgeist, resonating with the notion of a general cultural malaise and a reinvestment in traces of lost futures inhabiting the present.

    This undead culture has already spawned a Lazarus economy in which Tupac, ODB, and Eazy-E are digitally revivified as laser-lit holograms. The obscure otherworldly dimensions of sound have also been explored in the sonic fictions produced by the likes of Drexciya, Sun Ra, and Underground Resistance, where hauntology is virtually extended: the future appears in the cracks of the present.

    The contributions to this volume reveal how the sonic nurtures new dimensions in which the real and the imagined (fictional, hyperstitional, speculative) bleed into one another, where actual sonic events collide with spatiotemporal anomalies and time-travelling entities, and where the unsound serves to summon the undead.

    ContributorsLawrence Abu Hamdan, Lendl Barcelos, Charlie Blake, Lisa Blanning, Brooker Buckingham, Al Cameron, Erik Davis, Kodwo Eshun, Matthew Fuller, Kristen Gallerneaux, Lee Gamble, Agnès Gayraud, Steve Goodman, Anna Greenspan, Olga Gurionova, S. Ayesha Hameed, Tim Hecker, Julian Henriques, Toby Heys, Eleni Ikoniadou, Amy Ireland, Nicola Masciandaro, Ramona Naddaff, Anthony Nine, The Occulture, Luciana Parisi, Alina Popa, Paul Purgas, Georgina Rochefort, Steven Shaviro, Jonathan Sterne, Jenna Sutela, Eugene Thacker, Dave Tompkins, Shelley Trower, and Souzana Zamfe.

    • Paperback $24.95
  • Sonic Warfare

    Sonic Warfare

    Sound, Affect, and the Ecology of Fear

    Steve Goodman

    An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe.

    Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare, Steve Goodman explores these uses of acoustic force and how they affect populations.

    Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture.

    Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.

    • Hardcover $39.00
    • Paperback $25.00

Contributor

  • Machine Decision Is Not Final

    Machine Decision Is Not Final

    China and the History and Future of Artificial Intelligence

    Benjamin H. Bratton, Anna Greenspan, and Bogna Konior

    An interdisciplinary, cross-cultural collection that decenters familiar narratives to provide a fresh perspective on what artificial intelligence is today, and what it might become.

    Historians, media theorists, science-fiction writers, philosophers, and artists from China and elsewhere reexamine the nation's intense engagement with AI, moving beyond the clichés that still dominate contemporary debate.

    Today, visions of the contested future of AI veer between common planetary goals and a new Cold War, as culturally-specific models of intelligence, speculative traditions, and thought experiments come up against the emergence of novel forms of cognition that cannot be reduced to any historical cultural tradition.

    This uniquely positioned volume provides expert insight into this tension, using China as a touchstone for rethinking "artificiality" and "intelligence" as sites of difference in a way that is already present in the difficulty of precisely translating the Chinese term 人工智能. Tracking the history of Chinese AI from the pre-Cultural Revolution to the post-Deng Xiaoping eras right up to contemporary debates surrounding facial recognition, the writers in this collection draw on a mixture of speculative thought experiments and cutting-edge use cases to offer singular views on topics including AI and Chinese philosophy, AI ethics and policymaking, the development of computational models in early Chinese cybernetics, and the aesthetics of Sinofuturism.

    Spanning borders between different worlds, histories, futures, and foundational models, Machine Decision is Not Final is not only a timely reappraisal of the stakes of AI development, but a tool for constructing more global imaginaries for the future of AI.

    ContributorsBlaise Aguera y Arcas, Bo An, Benjamin Bratton, Shuang Frost, Vince Garton, Steve Goodman, Yvette Granata, Anna Greenspan, Amy Ireland, Xia Jia, Bogna Konior, Vincent Le, Lawrence Lek, Lukas Likavcan, Suzanne Livingston, Iris Long, Bingchun Meng, Reza Negarestani, Chen Quifan, Gabriele de Seta, Hongzhe Wang, Wang Xin, Mi You

    • Paperback $19.95